Maria José Canelo

Junho de 2009

This paper examines the impact of World War II in the home front as represented in short-stories published in the U.S. wartime journal Common Ground. Published between 1940 and 1949, the magazine combined literature and social and cultural critique in its progressive analysis of matters of race, immigration, citizenship, and civil rights. Although Common Ground's intellectual community committed itself to protect unity at the home front, it published complex representations  of  the  theme  of  homecoming  in  particular,  conveying  instances  of  latent violence at the national level that challenged the sense of 'homeliness.' The analysis attempts a combination of theories of the nation with Gaston Bachelard's considerations on the poetics of space and Sigmund Freud's notion of the uncanny.